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michelle thomas fine art

michelle thomas fine art • san francisco
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michelle thomas fine art blog

To Meneka who crawls into bed dressed like a Nepali. Half because she is cold and half because she feels it is a very luxe way to fall into bed and half because her lungs are still full of Bombay-Cochin smog and cold airplane germs. One foot in the East but facing west, missing but relieved and wanting the press of a crowd but hot and bothered and pushing it away and still feeling most at home in airports.

PARALLEL Design and Strategy: an adventure I'm embarking on with the most talented @_mazizam !

Maggie and I represent an extensive network of creative professionals in a holistic approach to digital strategy. Check us out @parallel.sf // #strategy #
An honor to present with this panel of bright stars at the 2021 NAEA National Convention.

My talking points, in summary:

I'm a teaching artist with experience in the context of schools, museums, city art centers, community art making initiatives, a

Party of One | A rumination on representation →

September 08, 2020

Thrilled and honored to have a rumination on representation published today on Open Space, SFMOMA’s interdisciplinary platform for artists and writers: read the article here.

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Tags: michelle thomas, michelle sindha thomas, open space, sfmoma, art history, art museums, asian diaspora, bipoc, chicago, figurative, indian american, indian diaspora, kerala, marine drive, mumbai, bombay, museums, portraiture, representation, san francisco, watercolors, watercolours
← Michelle Sindha Thomas featured at the de Young Open, 2020Artist's Statement: The Sun Babes →
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art creates meaning where none previously existed

© 2020 Michelle Thomas Fine Art